The twist of the umbrella. The robber makes the most of the storm, and he moves, as you can see.... he pushes his umbrella against the face of a passer-by and seizes the watch, the pocket book or the purse of his victim.

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Image Not Available for The twist of the umbrella. The robber makes the most of the storm, and he moves, as you can see.... he pushes his umbrella against the face of a passer-by and seizes the watch, the pocket book or the purse of his victim.
The twist of the umbrella. The robber makes the most of the storm, and he moves, as you can see.... he pushes his umbrella against the face of a passer-by and seizes the watch, the pocket book or the purse of his victim.
Image Not Available for The twist of the umbrella. The robber makes the most of the storm, and he moves, as you can see.... he pushes his umbrella against the face of a passer-by and seizes the watch, the pocket book or the purse of his victim.

The twist of the umbrella. The robber makes the most of the storm, and he moves, as you can see.... he pushes his umbrella against the face of a passer-by and seizes the watch, the pocket book or the purse of his victim.

PortfolioPlate 6 from the series "Filbustiers Parisiens"
Date1835
MediumCrayon lithograph
DimensionsSheet: 203 x 181 mm. (8 x 7 1/8 in.)
Credit LineBlanche Adler Memorial Fund
Object number1961.205
NOT ON VIEW
Last Updated1/11/24
Image Not Available for This is a so called merchant, victim of his victims, crazy, squanderer and intriguing. He pays 1% to his creditors for 10 years, forgets about the past, does not care about the future, struts about the Bois de Boulogne with his yellow gloves, strolls along the boulevard des Italiens and theatre lobbies. He talks of honour and decency and calls his creditors thieves. He loves the pose of the political, industrial and moral victim and splashes the whole world.
This is a so called merchant, victim of his victims, crazy, squanderer and intriguing. He pays 1% to his creditors for 10 years, forgets about the past, does not care about the future, struts about the Bois de Boulogne with his yellow gloves, strolls along the boulevard des Italiens and theatre lobbies. He talks of honour and decency and calls his creditors thieves. He loves the pose of the political, industrial and moral victim and splashes the whole world.
1840
Image Not Available for The Absent-Minded. This artist, after having been to the Salon, is seized by a sublime inspiration and approaches his canvas. All of a sudden, tones of music, the most piquant effect the most delicate touch promising a masterpiece. 2, 3, 4 hours gone by and something as appealing as a Titian, Michelangelo is left to posterity..... Afterwards, once his excitement has subsided, he realizes..... he had forgotten to use the brush.
The Absent-Minded. This artist, after having been to the Salon, is seized by a sublime inspiration and approaches his canvas. All of a sudden, tones of music, the most piquant effect the most delicate touch promising a masterpiece. 2, 3, 4 hours gone by and something as appealing as a Titian, Michelangelo is left to posterity..... Afterwards, once his excitement has subsided, he realizes..... he had forgotten to use the brush.
1841
Image Not Available for The ant. The two-legged ant, just like the multi-legged one is not generous, but that is the least one can reproach him. There is one difference though: the former is saving in every season and never consumes, even at the age of 90 he still economises for his old days. This type of ant leads always a miserable life. When he dies, he is deprived of everything despite of the provisions, because his last savings are spent for his funeral.
The ant. The two-legged ant, just like the multi-legged one is not generous, but that is the least one can reproach him. There is one difference though: the former is saving in every season and never consumes, even at the age of 90 he still economises for his old days. This type of ant leads always a miserable life. When he dies, he is deprived of everything despite of the provisions, because his last savings are spent for his funeral.
1838
Image Not Available for Lherbette. Deputy since ages and one of the few lucky ones who can rely on being reelected on the 13th of May. He just succeeds with everything. Only his name is not to his taste. He is also trying to give himself a distinct air.
Lherbette. Deputy since ages and one of the few lucky ones who can rely on being reelected on the 13th of May. He just succeeds with everything. Only his name is not to his taste. He is also trying to give himself a distinct air.
1849
Image Not Available for Delighted to find himself on show, the original takes his wife to the exhibition, and places her before his image to enjoy the opinion of the crowd. - Look, some say, it's the Chinese commissioner Lin! - No, others say, don't you see, it's natural history! - It's... resumes one gentleman in possession of the catalogue, it's the portrait of Mr. D..... insurance broker: - Oh well, with a bonce like that he doesn't need to insure himself, he'll not easily be snatched up. (Madame, his wife, leaves exceedingly flattered)
Delighted to find himself on show, the original takes his wife to the exhibition, and places her before his image to enjoy the opinion of the crowd. - Look, some say, it's the Chinese commissioner Lin! - No, others say, don't you see, it's natural history! - It's... resumes one gentleman in possession of the catalogue, it's the portrait of Mr. D..... insurance broker: - Oh well, with a bonce like that he doesn't need to insure himself, he'll not easily be snatched up. (Madame, his wife, leaves exceedingly flattered)
1842
Image Not Available for Chasseloup-Laubat. On his head he is wearing the famous laurel-wreath presented to him by the Burgraves for his campaign against French journalists.
Chasseloup-Laubat. On his head he is wearing the famous laurel-wreath presented to him by the Burgraves for his campaign against French journalists.
1850
Image Not Available for The Savage Bineau. Actual portrait drawn from nature, in the moment when this terrible person indulges in his favourite pastime, which consists of tearing up paintings and breaking all objects of art that he can lay his hands on.
The Savage Bineau. Actual portrait drawn from nature, in the moment when this terrible person indulges in his favourite pastime, which consists of tearing up paintings and breaking all objects of art that he can lay his hands on.
1848
Image Not Available for The early morning caller. This person enters your home early in the morning and walks stealthily like a thief. If you wake up, he pretends having entered the wrong apartment, looking for a Mr. Pierre or a Mr. Paul. He is abashed with apologies and retreats after carrying off what has fallen into his hands. This man works around all the hotels, knowing that the travellers have the habit of leaving their key in the door.
The early morning caller. This person enters your home early in the morning and walks stealthily like a thief. If you wake up, he pretends having entered the wrong apartment, looking for a Mr. Pierre or a Mr. Paul. He is abashed with apologies and retreats after carrying off what has fallen into his hands. This man works around all the hotels, knowing that the travellers have the habit of leaving their key in the door.
1835
Image Not Available for Madame Greluche: Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes! - Mr. Greluche: And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal.
Madame Greluche: Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes! - Mr. Greluche: And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal.
1839
Image Not Available for The husband (reading aloud): "We lay indolently on the fragrant moss, while the beams of the moon flickered through the branches of a willow, gently swaying in the evening breeze. Overcome with love we cried to to heaven the longings we felt in our hearts." His wife (sotto voce): how can he possibly read such poetry and wear a night bonnet and a face like this.
The husband (reading aloud): "We lay indolently on the fragrant moss, while the beams of the moon flickered through the branches of a willow, gently swaying in the evening breeze. Overcome with love we cried to to heaven the longings we felt in our hearts." His wife (sotto voce): how can he possibly read such poetry and wear a night bonnet and a face like this.
1839
Image Not Available for Security Chain Dealer. The coupling chain is named after the way its used by an unsuspecting victim, who wears it, thus signaling that he is in the possession of a watch. The cronies stationed in the neighborhood are not dallying to put the information to profit. This way Bertrand has sold the chain and Macaire gets the watch.
Security Chain Dealer. The coupling chain is named after the way its used by an unsuspecting victim, who wears it, thus signaling that he is in the possession of a watch. The cronies stationed in the neighborhood are not dallying to put the information to profit. This way Bertrand has sold the chain and Macaire gets the watch.
1840
Image Not Available for Hamlet Makes Actors Play the Scene of the Poisoning of his Father (Act III, Scene II)
Hamlet Makes Actors Play the Scene of the Poisoning of his Father (Act III, Scene II)
1835, published 1864