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for Liu Zheng
Liu Zheng
Chinese, born 1969
Liu uses his camera on his countrymen to show their present individual and historical collective circumstances. For the epic two-part series, "The Chinese," Liu recorded his encounters with men and women from his own wide travels across China, and he also staged scenes drawn from past events. An especially important feature of Liu's work is its concern with the body, as individual, and body politic, often stripped naked or partially clothed, thus a subject revealed to the viewer and unprotected from any surrounding environment. Photography's twin elements of realism and fabrication allow Liu to bare not only his subjects but his own memory and understanding of history through invented semi-historical imagery. The artist has stated, "In the process of my photographing, I have come to understand many abstract concepts, such as truth and falsehood, emptiness and reality, and gradually the division of these concepts has lost meaning to me." F. Klapthor notes, 2015
Person TypeIndividual
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